The Body is a prolific musical force whose creativity is matched only by the astonishing weight of their sound. Duo Lee Buford and Chip King have established their own musical language that reimagines how rhythm, dynamics, and sonics can shape or dismantle song structure. Over the course of two decades, the duo has consistently challenged assumptions and defied categorization, redefining what it means to be a heavy band. On their new album, The Body are again pushing limits and testing the boundaries of the studio to explore the extremes and microtonality of distortion to find its maximal impact. I’ve Seen All I Need To See is The Body at their most incisively bleak, a towering monolith of noise.
I’ve Seen All I Need To See demonstrates not only The Body’s fearless spirit and vicious edge, but their intellectual musical heft through its explorations of distorted sound and the power of distorted sounds’ interplay. Composer Roger Johnson said “Noise is power, but is generally represented as negative, chaotic, dangerous, violent, when it comes… from those marginalized from power. Noise is also an expression of freedom, a ‘liberation of sound.’” The Body are sound liberators capable of mining and extracting remarkable details from the most manipulated and distorted sound sources. I’ve Seen All I Need To See is a groundbreaking work and an ecstatic listen, whether seen as a testament to catharsis in oblivion, an opus of inexorable dread or a wholly liberating adventure.
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